Should I run from big cities?
‘Cause it feels like
They provide
no room for thoughts,
when ideas are still
young and frail.
So they could expand and grow.
Guard dogs are running wild with power,
Although their freewill has vanished long ago
The hunting season never stopped
And now it feels like
no one can put an end to it.
No one no one
I hate them so much
Fuck
So, do I have to
go to a forest nearby
Set up camp, light a fire
Inspired by corny backpacker movies
And I won’t be to blame
For letting the world die
Although it would mean I didn’t do anything to fight against it
I'd be a cog in the machine, moving forward.
Even though I didn’t do anything to destroy it
I’d have a role to play
In the forest dying away.
If you love it
Fight for it
As long as we live
Courage runs through our veins.
I want to stand
Like an immovable rock.
supported by 12 fans who also own “Black Waterfall”
One of the best death inflected doom metal releases of the year, hands down. The atmosphere that Occlith sets is masterfully executed to fully envelope the listener under their crushing, powerful sound. If you're a fan of the subgenre, this is an essential LP. Camel
supported by 11 fans who also own “Black Waterfall”
One of the most consistent, pummeling, noisy metal records I've heard in a long time. Blows me away consistently with ferocious vocals and screeching riffs. Incredible stuff. amoebicmint
Seattle band Adzes craft sludgy dirges with elements of noise rock, post-metal and shoegaze, united by a staunch moral compass. Bandcamp New & Notable Jun 3, 2020
"Curse These Metal Hands" parlays the UK bands' chemistry into a record which—for all its tinnitus-inducing ferocity and elegiac arrangements—practically drips with transcendent joy. Bandcamp Album of the Day Aug 19, 2019
The Alberta crushers hold tight to their rank, astral-gazing grindcore, staring down abyssal torment all the while. Bandcamp Album of the Day Mar 31, 2020
supported by 11 fans who also own “Black Waterfall”
Listening to this album is quite odd and rather uncomfortable, which I imagine is by design. It is well written, and the tone of everything is excellent (especially that sludgey bass tone that actually gave a presence in the mix). There is DM, ambience, atmosphere, and many odd rhythms and melodies. I'm still not sure how I feel about this LP, but I keep coming back and listening to it, so take that as you will. Camel